Best Practices: Export faster - Adobe Support
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By default, Premiere Pro prioritizes quality for exports, but that doesn't mean your exports have to be slower. This Best Practices guide covers features in ...
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BestPractices:Exportfaster
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上次更新時間
Apr12,202203:29:32AMGMT
AdobePremiereProUserGuide
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BestPractices
BestPractices:Mixaudiofaster
BestPractices:Editingefficiently
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UseMotioneffecttoeditandanimateclips
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BestPractices:Exportfaster
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CollaborationinPremierePro
Frame.io
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BestPractices
BestPractices:Learningfrombroadcastproduction
BestPractices:Workingwithnativeformats
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MonitoringAssetsandOfflineMedia
Monitoringassets
UsingtheSourceMonitorandProgramMonitor
UsingtheReferenceMonitor
Offlinemedia
Workingwithofflineclips
Creatingclipsforofflineediting
RelinkingofflinemedInstia
Thelaststepinproduction–thethingthatstandsbetweenthefinaleditandthefinaldelivery–isexport.Nobodygetstogohomeuntiltheexportisfinishedsoeditorsneedthefinalexporttogooutasfastaspossible.
Exportingisaboutcompression–whilepreservingasmuchoftheimagedetailaspossible.Bydefault,PremiereProprioritizesqualityforexports,butthatdoesn’tmeanyourexportshavetobeslower.ThisBestPracticesguidecoversfeaturesinPremierePro(andAdobeMediaEncoder)thatcanstreamlineyouroverallworkflowandensurefasterexportswithbetterPreviews,andSmartRenderingofkeycodecs.Ifyoursystemsupportsit,youcanalsousehardwareaccelerationforH.264andHEVC(H.265),twoveryprocessor-intensiveformats.
WhattheTimelinetellsyou
Timelinecolorstellthestory.ThethincoloredlinealongthetopoftheTimelineinPremiereProindicateswhat’shappeningunderneathwiththatpartofthesequence.Ifthelineisyellow,thatmeansyourcontentisacceleratedbytheMercuryPlaybackEngine(acombinationofsoftwareandGPUtechnologies).Ifit’sred,PremiereProissolelyusingCPUprocessing,forexampleforanAfterEffectscomposition.Ifthethinlineisgreen,thatmeansthatPreviewshavebeengeneratedforthissectionofyoursequence.
Green,red,andyellowlinesonthetimelineindicatingthestatus
HowtocreatePreviews
PremiereProrenderssectionsofyoursequencewhenyoucreateaPreview,whichyoucandobychoosingSequence >RenderEffectsIntoOut(orRenderIntoOut).“Renderasyougo”meanscreatingPreviewfiles.Thesetakeamomenttogenerate,sodoitwhenyou’retakingabreakfromediting.Previewscanprovidesmootherplayback,butthere’sanextrapayoffwhenexporting.
UsingPreviewstospeedupexport
PremierePro’sdefaultPreviewsareoptimizedforplayback,notimagequality.IfyouselectUsePreviewsintheExportmode,PremiereProwillapplythePreviewrenderfilesforyourexport.Thatmaygiveyouaspeedboost,butyouwillbere-compressinganalreadycompressedfile,whichisnotidealforquality.Youcangetthebestofbothworlds(editingperformanceandoptimalexportquality)bychoosingahigh-qualitycodecforyourPreviews.
Usepreviewsforyourexports
ChangingPreviewstoMezzaninecodecs
Whenusingpreviewsonexport,it’simportanttomakesurethey’rerobustandofhighenoughquality.Bydefault,previewsaredisposablerendersdesignedtogeneratequickly.
Tocreatehighqualitypreviews,openyourSequenceSettingsandchangetheEditingtoCustom.ThenswitchtoanappropriateMezzaninecodec.Bydoingso,thePreviewfilesarenowofhighquality–usableforexport.
Asanexample,ourBestPractices:Createyourownprojecttemplates,hasaseriesofsequencesthataresettoProRes422forPreviews.
ThisissimilarinconcepttochoosingtoTranscodeoningest.SeeourBestPractices:Workingwithnativeformats fordetailedinstructionsonsettingupingestworkflows.
SmartRenderingofcodecs
IfyourPreviewcodecmatchesyouroutputcodec,yourexport timecan shrinkfromminutestoseconds.
Generally,whetherornottherearepreviews,whenmediaisexported,itgetsre-compressing.PremiereProandAdobeMediaEncoderdoagreatjobofpreservingimagequality.Bydefault,thesourcefootageandeffectsarecompressedtothefinaloutputcodec,transformingmediaaslittleaspossible.
Usinghigh-qualityPreviewsforexport,removestheneedtorecalculatetheencoding,atanegligibleimpactonquality.Thisiskeyinfastturnaroundworkflows.Whenyoucreatehigh-qualityPreviewswiththesamecodecasyouroutputcodec,AdobePremiereProintelligentlyspeedsupyourworkflow:insteadofrecompressingyourmedia,PremiereProcopiesthealreadycomputedPreviewsintotheoutputfile.
Technically,Premierehasthecapabilityofdoingthistypeoffilecopywhensourcesareuntouchedandmerelyedited(shortened)andoutputtothesamecodec.AnexamplewouldbeXDCamoriginals,edited(noeffects)andthenoutputtoXDCam.Buttodaythatalmostneverhappens:attheveryleast,everyclipsgetsalittlecolorcorrection.Sinceeveryclipwillgetaneffect–thesourcecodecnolongermatters,aslongasthePreviewfilesandoutputcodecsmatch.
SmartRenderingisavailableforarangeofformats,bothmezzaninecodecsandkeycamerascodecs.Forafulllist,seeSmartrendering.
Acceleratingh264/HEVC(H.265)output
Highcompatibilitydistributionformats,suchasH.264andHEVC(H.265)workonaverywiderangeofdevicesandplatforms.Theyofferfastuploadtimesinrelationtotheirfilesizeandthat’swhytheyarepreferredcodecsforYouTube,Facebook,Instagram,Vimeo,andothers.
Butthatversatilitycomewithacost:time.TheH.264andHEVCareprocessing-intensiveformatswhichplacehighdemandsonyoursystem.
PremiereProsupportsIntelQuickSyncVideotechnology,availableinCorei5andCorei7CPUsforhardware-baseddecodingandencodingofH.264andHEVCfiles.Decodingmeanssmootherplayback;encodingmeansfasterexports(SeePremiereProhardwareaccelerationrequirements).
TousehardwareencodingforH.264andHEVCfilesduringexport,selectthatoptionintheExportmode.Ifyourhardwaredoesnotsupportit,youwillonlyseeSoftwareEncoding.
Usinghardwareencoding
Theresultswillbesignificantlyfasterinhardwareencoding.Theonlycaveat?HardwareencodingisgenerallylimitedtoCBRand1passVBR.Generally,dataratesneedtobeslightlyhighertoensurequality–meaningslightlylargerfiles.
ThisarticleisacompanionpiecetoourBestPractices:Workingwithnativeformats.
Formoreinformation,see:
Workflowandoverviewforexporting
ExportsettingsreferenceforMediaEncoder
AbouttheseBestPracticeguides
Adobehelpsyougettothefinishlinefaster.LearnmoreinournewBestPracticesguidesforvideoeditingandproduction.
BestPractices:Editingefficiently
BestPractices:Workingwithnativeformats
BestPractices:Mixaudiofaster
BestPractices:Createyourownprojecttemplates
BestPractices:Fastergraphicsworkflows
BestPractices:Learningfrombroadcastproduction
Contributors
JoeNewcombeisheadofsalesandmarketingatSupportPartners,asystemintegratorforbroadcastersandpost-productionfacilities.He’sbasedintheUK.
JeffGreenbergisaconsultant,mastertrainer,andauthorofAdobePremiereProStudioTechniques.
MaximJagoisaParis-basedfilmmaker,mastertrainer,andauthorofPremiereProClassroominaBook.
AlexMacleodisaproductionprofessional,broadcastingconsultant,andownerofMediaCityTrainingintheUK.
JarleLeirpollisafilmmaker,editor,andMastertrainerbasedinNorway.HeisalsotheauthorofTheCoolStuffinPremierePro.
IanRobinsonisabroadcastmotiondesigner,andregularAdobeMAXtrainer.IanisbasedinSilverthorne,Colorado.
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